However, in the years that followed, Through The Looking Glass began to find a small but ever-growing audience, and with time it came to be considered one of the rarest artefacts of early 1980s Japanese music.
Although the inner workings of the algorithm are a closely guarded secret, its internal processes began to prioritise Through The Looking Glass as a recommendation for YouTube users with an interest in minimalism and unconventional electronica.
Working with a recording engineer and amongst other things a mixture of percussion instruments, chimes, recorders, reed organ and piano, she carved out the four-song suite that would become Through The Looking Glass.
The following year, Palto Flats reissued underground Japanese post-punk and new wave icons Mariah’s final album Utakata No Hibi.
“I don’t normally use the internet… (so) I was astonished when I started getting reissue offers from abroad,” Takada admits.